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"A well written love, historic and thriller journey all covered up in a full page-turner that'll perhaps you have wondering before very end." – Adena Halpern, writer of The Ten Best Days of My Entire Life  Three decades after her partner Maxis demise, Shelley seems no further modified to being fully a widow that first horrible time than she did. That's, before doorbell rings. Sitting on her front stage is just a child who seems so similar to Max–same grin, same eyes, same age, same lovable bundle in his nose–he might be Max's long lost connection. He presents himself as Paolo, an editor of National coffee-table books, and exhibits Shelley some youth pictures.